The Decline of the 20th Century Political Campaign

Political campaigns started getting expensive in the 1960s, when television advertising became the next big thing in campaigning. Even before TV, reaching people was hard work. You needed to knock on doors, phone bank, and send out mailings. All of this required a lot of dedicated activists and dedicated dollars. And so politicians depended very heavily on the activists and donors who could provide these things. All of this is in the process of changing. Activists and dollars are becoming less important than they used to be. They still matter, but not as much. And as time goes on, they grow weaker.

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A Judge Judy Think Piece

The internet is often full of aesthetic think pieces. It’s easy to write them–you identify some show or artist that’s captured the attention and the artistic sensibility of your readers, and you make some vague connection between the themes of that art and some current issue. On prestige websites, you can often find writers pumping out think pieces about prestige programs. Often it’s some big critical hit on HBO like Game of Thrones, or an edgy Netflix original series like House of Cards. These are thought to be the important shows, because they’re the shows our social, cultural, and political elite enjoy. Think pieces get lots of clicks, because they make us feel that the stuff we’re watching, reading, or listening to really matters. But do they matter? The most popular Game of Thrones episode was watched by about 8.9 million people. A new season of House of Cards gets seen by about 5 million. Meanwhile, every week, like clockwork, 10 million people watch Judge Judy.

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Why the Media Pays More Attention to Some Tragedies Than Others

On social media, the reaction to the Paris terrorist attack is steadily devolving into a compassion competition in which people try to prove that they are nicer people than their friends by parading how empathetic they are on the internet. They write sentimental statuses, they change their profile pictures to the tricolor, they send their “thoughts and prayers”, and so on. None of this does anything to make the world a better place–it’s all about using tragedy to self-promote. It’s just another way for people on the internet to say “Look at me!” But perhaps the most obnoxious form of self-promotion is when people claim they are too good to care about Paris, because they care about less mainstream tragedies, most commonly the recent Beirut bombing. These people are tragedy hipsters who engage in tragedy one-upping. They may be well-intentioned–these folks argue that the media fails to cover attacks like the one that occurred in Beirut because of systemic racism. But while systemic racism certainly is a significant problem in our society, their argument mischaracterizes the social forces that cause the media to pay more attention to some tragedies rather than others.

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3 Reasons We Should Stop Watching TV News

Over the past several months, I’ve been paying increasing attention to an interesting phenomenon–voter tunnel vision. You may have noticed in recent months that mainstream media–particularly cable news networks–have devoted a remarkable amount of air time to a very narrow list of political issues:

  1. Russia/Ukraine Conflict
  2. Israel/Palestine Conflict
  3. Michael Brown Shooting/Ferguson Protests
  4. ISIS
  5. Ebola

Now, these issues are, to varying degrees, important. But why do they get so much coverage compared with more severe long-term problems like heart disease, malaria, poverty, climate change, education, and so on? Essentially, it’s because TV is a terrible medium for news, and I can show you why.

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Breaking Bad and Morality

Once in a while, I like to indulge my interest in fiction and apply political and moral concepts to the world that isn’t. Today, I’d like to have a look at Breaking Bad. Why Breaking Bad? As a fan, I from time to time enjoy perusing the vast amount that is written about the show online. What sticks out to me is that the very same characters can be considered sympathetic, even heroic, by some viewers, while simultaneously receiving scorn and vilification from others–an unusual phenomenon in television. I also find that the justifications reviewers and viewers use for the various sympathies they hold are muddled. So today I’d like to dissect the show and its characters a little, to come to clearer conclusions about which moral principles are in play. Of course, this will entail extensive plot spoilers, so neophyte viewers should steer clear of this piece.

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