Tarantino Aesthetics

Yesterday I found myself rewatching Django Unchained, Quentin Tarantino’s latest film. This morning, I found myself watching a few interviews with Tarantino and was reminded of one of his running traits–he really hates it when people attempt to connect violence in movies to violence in real life. It goes beyond mere point of disagreement; he views the very notion that his movies could have any affect at all on the real world behaviour of people as beyond ridiculous. It suggests a fundamental different in aesthetic philosophy between Tarantino and his critics, and I think I have managed to put my finger on precisely what that difference is.

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