Today I’d like to turn to an old theme–the tendency for Disney movies to disparage intellectual villains in favor of physical heroes and apologize for economic and social injustice. Previously, I wrote about how The Lion King, rightly interpreted, is really about Scar’s attempt to liberate the hyenas from a racist lion oligarchy. Today I’d like to do something similar with Aladdin, reconstructing the plot so as to render Jafar the hero.
Tag: Aesthetics
The Uselessness of Beating Up Eminem
The rapper Eminem released a new album (The Marshall Mathers LP 2). As is his tendency, Eminem dropped some rhymes with morally dubious meanings. And, as has also become the norm, my fellow writers decided to take positions on the matter. Kicking off the discussion was Scott Meslow at The Week, who first drew attention to homophobic lyrics in Eminem’s song, “Rap God”. Meslow has now followed that piece up with a second one, detailing the reaction to his first piece and what he has gleaned from it. Today I’d like not so much to wade into this discussion as to call its utility into question–what purpose does it serve to write pieces criticizing artists for moral or political messages, either explicit or implicit?
Breaking Bad and Morality
Once in a while, I like to indulge my interest in fiction and apply political and moral concepts to the world that isn’t. Today, I’d like to have a look at Breaking Bad. Why Breaking Bad? As a fan, I from time to time enjoy perusing the vast amount that is written about the show online. What sticks out to me is that the very same characters can be considered sympathetic, even heroic, by some viewers, while simultaneously receiving scorn and vilification from others–an unusual phenomenon in television. I also find that the justifications reviewers and viewers use for the various sympathies they hold are muddled. So today I’d like to dissect the show and its characters a little, to come to clearer conclusions about which moral principles are in play. Of course, this will entail extensive plot spoilers, so neophyte viewers should steer clear of this piece.
Scar: The Lion Martin Luther King
Disney has made a lot of beloved animated films. All over the developed world, kids grow up with them. There is something that has long bothered me about them, however–they have long presented children with morally uncomplicated, black and white, hero versus villain narratives. In this way, these movies contribute to our moral socialization as children, normalizing deontological moral beliefs–the notion that actions are right or wrong in themselves, regardless of the outcomes they produce. There is also an anti-intellectual thread running through many of these films–the villain is typically a clever schemer, while the hero is typically an every-man who happens to have unusual physical abilities. Today I’d like to highlight this issue in our culture by taking the plot of the beloved film The Lion King and morally reconstructing it so as to make Scar sympathetic.
David Cameron v. Pornography
British Prime Minister David Cameron has decided to oppose pornography. Among his new anti-porn measures are a default “off” setting whereby internet service providers block access to erotic material barring user override and an outright ban on what Cameron calls “extreme pornography”, erotic material that depicts fictional violent sex. Are these policies (and others like them) good ideas?
Benjamin Studebaker 